{"id":3783,"date":"2022-06-04T13:48:00","date_gmt":"2022-06-04T17:48:00","guid":{"rendered":"https:\/\/topo.art\/chantier\/?post_type=programmation&p=3783"},"modified":"2024-10-02T15:23:14","modified_gmt":"2024-10-02T19:23:14","slug":"forum-frontiere-pratiques-artistiques-transfrontalieres","status":"publish","type":"programmation","link":"https:\/\/stg.topo.art\/en\/programmation\/forum-frontiere-pratiques-artistiques-transfrontalieres\/","title":{"rendered":"Forum FRONTI\u00c8RE | Cross-border artistic practices"},"content":{"rendered":"
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FORUM<\/strong><\/h2>

Tables rondes et lancement de publications<\/strong><\/p>

FRONTI\u00c8RE<\/em>\u00a0de TOPO<\/strong><\/p>

SATELLITE<\/em>\u00a0de DARE-DARE<\/p>

Atlas Emocional del Bidasoa<\/em>\u00a0de Bitamine Faktoria<\/p>

TOPO a le plaisir de vous convier au forum FRONTI\u00c8RE – Pratiques artistiques transfrontali\u00e8res, un \u00e9v\u00e9nement en collaboration avec le centre d’artiste montr\u00e9alais\u00a0DARE-DARE<\/a>\u00a0and\u00a0Bitamine Faktoria<\/a>\u00a0– Fabrique de cr\u00e9ation et production culturelle transfrontali\u00e8re du Pays basque espagnol. Cette rencontre a lieu \u00e0 l’occasion du lancement de la publication\u00a0Frontier<\/a>, qui revient sur la programmation th\u00e9matique 2019-2022 de TOPO. Helga Massetani, de Bitamine Faktoria, exposera et pr\u00e9sentera le projet de l’Atlas Emocional del Bidasoa<\/em>. Sylvie Cotton, de DARE-DARE, pr\u00e9sentera \u00e0 son tour le projet et la publication Satellite<\/em>.<\/p>

PROGRAMME D\u00c9TAILL\u00c9<\/h3>

13 h 30 \u2013 Accueil<\/strong><\/p>

14 h 00 \u2013 Mise en contexte et mots de bienvenue<\/strong><\/p>

14 h 30 \u2013 Helga Massetani, Bitamine Faktoria (Ir\u00fan, Pays basque espagnol).<\/strong><\/p>

Atlas Emocional del Bidasoa<\/em><\/a><\/p>

15 h 00 \u2013 Mirna Abiad-Boyadjian, Nuria Carton de Grammont, Paule Mackrous<\/strong><\/p>

R\u00e9trospection sur la\u00a0programmation Fronti\u00e8re<\/a>\u00a0de TOPO<\/p>

16 h 00 \u2013 Sylvie Cotton<\/strong><\/p>

R\u00e9trospection sur le projet\u00a0Satellite<\/em><\/a>\u00a0de Dare-Dare<\/p>

17 h 00 \u2013 Lancement des publications<\/strong><\/p>

R\u00e9seautage avec les artistes et auteurs, autrices des publications<\/p>

20 h 00 \u2013 Fin de l\u2019\u00e9v\u00e9nement<\/strong><\/p>

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Les projets<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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FRONTI\u00c8RE<\/em> de TOPO<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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C\u2019est sous le th\u00e8me de la fronti\u00e8re que TOPO a r\u00e9alis\u00e9 un cycle d\u2019expositions et de projets en ligne, de 2019 \u00e0 2022. Ancr\u00e9e dans l\u2019histoire de l\u2019humanit\u00e9 et toujours criante d\u2019actualit\u00e9, la th\u00e9matique regroupe plusieurs questionnements port\u00e9s par TOPO, tant politiques et sociaux que technologiques.<\/p>

La programmation Fronti\u00e8re comprend trois cycles th\u00e9matiques auxquels ont \u00e9t\u00e9 associ\u00e9es trois autrices et historiennes de l\u2019art : Nuria Carton de Grammont, Paule Mackrous et Mirna Abiad-Boyadjian. Afin d\u2019enrichir la r\u00e9flexion, quatre autres sp\u00e9cialistes y abordent plus largement la notion de fronti\u00e8re selon diff\u00e9rentes approches li\u00e9es \u00e0 leur champ de recherche : Ricard Zapata Barrero (politique), Chantal Pontbriand (esth\u00e9tique), Jean-Dominique Leccia (psychiatrique) et David Jhave Johnston (technologique).<\/p>

La publication papier, une carte retra\u00e7ant les oeuvres des 10 artistes expos\u00e9s par TOPO dans le cadre de la programmation, se prolonge\u00a0on the web<\/a> avec des essais et du contenu multim\u00e9dia (essais, vid\u00e9os et balados).<\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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SATELLITE<\/em> de DARE-DARE<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00ab Cette publication retrace les premi\u00e8res trajectoires d\u2019un programme d\u2019explorations artistiques transfronti\u00e8res initi\u00e9 en 2011 par le centre d\u2019artistes DARE-DARE en satellite de son territoire d\u2019ancrage montr\u00e9alais. Plus qu\u2019un simple panorama visuel r\u00e9trospectif et qu\u2019une pr\u00e9sentation des \u0153uvres r\u00e9alis\u00e9es dans trois contextes urbains fort diff\u00e9rents (D\u00e9troit, Tijuana, Mexico), l\u2019ouvrage propose une s\u00e9rie d\u2019observations r\u00e9centes par les artistes et les partenaires h\u00f4tes pour en raviver les souvenirs pr\u00e9gnants, y retracer le cheminement de pens\u00e9e et d\u2019exp\u00e9rience, y r\u00e9v\u00e9ler l\u2019empreinte dans la pratique de cr\u00e9ation et dans la r\u00e9flexion intellectuelle, ou encore, les retomb\u00e9es dans la carri\u00e8re ou dans la mission artistique. \u00bb<\/p>

– Extrait de l\u2019essai de Martin Dufrasne, coordonnateur du projet SATELLITE et co-coordonnateur \u00e0 la programmation de DARE-DARE<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Atlas Emocional del Bidasoa<\/em> de Bitamine Faktoria<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Cette publication s’inscrit dans le prolongement des recherches men\u00e9es en 2019 dans le cadre du projet \u00ab Cartographie \u00e9motionnelle de la Bidassoa \u00bb.\u00a0 Il se pr\u00e9sente sous la forme d’une s\u00e9rie de livrets \u00e9ducatifs accompagn\u00e9s du travail de l’illustratrice Elena Odriozola, mettant en \u00e9vidence des aspects sociaux significatifs. Ces dix petits carnets racontent les histoires d’un espace g\u00e9ographique – celui du fleuve Bidassoa situ\u00e9 au pays basque espagnol – \u00e9l\u00e9gamment \u00e9crits par Mar\u00eda Jos\u00e9 Noain Maura dans une langue accessible \u00e0 tous les publics.<\/p>

Le s\u00e9jour d’Helga Massetani est rendu possible avec le soutien d’Etxepare et du minist\u00e8re des Relations internationales du Qu\u00e9bec, dans le cadre de l’entente de coop\u00e9ration culturelle entre le Qu\u00e9bec et Euskadi.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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In Pictures<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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