{"id":8085,"date":"2025-05-22T14:26:27","date_gmt":"2025-05-22T18:26:27","guid":{"rendered":"https:\/\/topo.art\/?post_type=programmation&#038;p=8085"},"modified":"2026-03-05T15:38:15","modified_gmt":"2026-03-05T19:38:15","slug":"emportales-a-pasados-por-venir-em-mel-izanami","status":"publish","type":"programmation","link":"https:\/\/stg.topo.art\/en\/programmation\/emportales-a-pasados-por-venir-em-mel-izanami\/","title":{"rendered":"<em>Portales a Pasados por Venir <\/em> | Mel Izanami"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"8085\" class=\"elementor elementor-8085\" data-elementor-post-type=\"programmation\">\n\t\t\t\t<div class=\"elementor-element elementor-element-f323361 e-flex e-con-boxed e-con e-parent\" data-id=\"f323361\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9770e85 elementor-widget elementor-widget-heading\" data-id=\"9770e85\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<span class=\"elementor-heading-title elementor-size-default\">Dans le cadre de sa r\u00e9sidence au Laboratoire d\u2019art et de recherche d\u00e9coloniaux de l\u2019UQ\u00c0M (LabARD), Mel Izanami poursuit le d\u00e9veloppement de son projet <em>Portales a Pasados por Venir <\/em> : une exploration de l'uchronie dans la science-fiction en tant qu'outil sp\u00e9culatif pour remettre en question les r\u00e9cits h\u00e9g\u00e9moniques de l'histoire culturelle occidentale. \n<br> <br>\nEn collaboration avec TOPO \u2013 Centre de cr\u00e9ation num\u00e9rique et Perte de Signal, l\u2019artiste pr\u00e9sentera l\u2019avancement de ses recherches en deux volets.\n<\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-93addd1 elementor-widget elementor-widget-heading\" data-id=\"93addd1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Discussion : Mondes sp\u00e9culatifs en dehors de la perspective h\u00e9g\u00e9monique de l\u2019histoire<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6218346 elementor-widget elementor-widget-heading\" data-id=\"6218346\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<span class=\"elementor-heading-title elementor-size-default\"><b>Le 28 mai, 17h00 \n<br>TOPO \u2013 Centre de cr\u00e9ation num\u00e9rique <\/b>\n<br>\nL\u2019artiste propose une conf\u00e9rence d'environ une heure et demie incluant une p\u00e9riode de questions au cours de laquelle il pr\u00e9sentera son travail actuel sur la cr\u00e9ation d'un monde alternatif \u00e0 travers une vision uchronique.  Il parlera des outils et du cadre th\u00e9orique qui l'ont amen\u00e9 \u00e0 cr\u00e9er cet univers de microfictions narratives. Il expliquera ensuite comment nous pouvons utiliser ces outils pour reconstruire les processus d'endoctrinement colonial \u00e0 travers l'\u00e9pist\u00e9mologie d\u00e9coloniale, la science-fiction et la r\u00e9alit\u00e9 augment\u00e9e.\n<br><br>\n<b>Langue :<\/b> En anglais\n<\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-57628ba elementor-widget elementor-widget-heading\" data-id=\"57628ba\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Atelier : La r\u00e9alit\u00e9 augment\u00e9e comme outil d\u00e9colonial<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3867a7a elementor-widget elementor-widget-heading\" data-id=\"3867a7a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<span class=\"elementor-heading-title elementor-size-default\"><b>Le 31 mai, de 14h00 \u00e0 17h00 <br>Perte de signal<\/b> <br>\nDans le cadre de cet atelier, les participant\u00b7es sont invit\u00e9\u00b7es \u00e0 cr\u00e9er une exp\u00e9rience simple de r\u00e9alit\u00e9 augment\u00e9e \u00e0 l'aide de marqueurs web. \n <br>  <br> <b>Au programme :<\/b>\n<br> \n1.\tConversation sur le processus de travail de l'artiste et s\u00e9ance de questions-r\u00e9ponses\n <br> \n2.\tReconstruction des processus d'endoctrinement colonial \u00e0 travers l'\u00e9pist\u00e9mologie d\u00e9coloniale, la science-fiction et la r\u00e9alit\u00e9 augment\u00e9e.\n <br> \n3.\tIntroduction \u00e0 MindAR et \u00e0 ses biblioth\u00e8ques (A-Frame\/Three.js)\n<br>\n4.\tLaboratoire de cr\u00e9ation de WebAR + discussion contextuelle\n <br>  <br> \n<b>Pr\u00e9-requis :<\/b><br> \n\u2022\tAvoir un ordinateur portable et un cellulaire<br> \n\u2022\tConnaissance de base de l'animation ou de la conception num\u00e9rique (non obligatoire)\n <br>  <br> \n<b>Langue :<\/b> Espagnol (il y aura une traduction vers l'anglais et le fran\u00e7ais)\n\n<\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-23fe049 elementor-widget elementor-widget-heading\" data-id=\"23fe049\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">\u00c0 propos <em>Portales a Pasados por Venir<\/em><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4ced401 elementor-widget elementor-widget-heading\" data-id=\"4ced401\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<span class=\"elementor-heading-title elementor-size-default\">\u00c0 quoi ressemblerait le Mexique dans un monde o\u00f9 la conqu\u00eate espagnole n'aurait jamais eu lieu ? \u00c0 partir de cette approche, Mel Izanami a explor\u00e9 diverses possibilit\u00e9s d'expression. La premi\u00e8re est une exp\u00e9rience de r\u00e9alit\u00e9 augment\u00e9e (RA), o\u00f9 les t\u00e9l\u00e9phones et les tablettes deviennent des portails vers des pass\u00e9s et des pr\u00e9sents alternatifs, offrant au public une vision futuriste de la fa\u00e7on dont la technologie pr\u00e9colombienne aurait pu \u00e9voluer dans le monde contemporain. Cette exp\u00e9rience a \u00e9t\u00e9 diffus\u00e9e au moyen de codes QR install\u00e9s dans des espaces publics de plusieurs pays des Am\u00e9riques dont l\u2019Argentine, l\u2019Uruguay, le Chili, la Colombie, le Br\u00e9sil, le Mexique et le Canada).\n<br><br>\nEn parall\u00e8le, Mel Izanami a d\u00e9velopp\u00e9 une microfiction sp\u00e9culative qui explore le tournant qui a donn\u00e9 naissance \u00e0 cette nouvelle ligne temporelle. Elle se pr\u00e9sente comme une pi\u00e8ce NetArt Fakeweb qui r\u00e9interpr\u00e8te la p\u00e9riode dite de la conqu\u00eate du Mexique.\n<br><br>\nMel Izanami consid\u00e8re qu'il est essentiel de diffuser ces r\u00e9cits perturbateurs dans d'autres r\u00e9gions comme un acte de r\u00e9sistance contre les discours h\u00e9g\u00e9moniques, rompant avec le paradigme eurocentrique et invitant \u00e0 la r\u00e9flexion sur les cultures des peuples indig\u00e8nes.\n<\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-cbab729 e-con-full e-flex e-con e-child\" data-id=\"cbab729\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-3296b541 e-con-full e-flex e-con e-parent\" data-id=\"3296b541\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-185bc01c elementor-grid-1 elementor-grid-tablet-2 elementor-grid-mobile-1 elementor-widget elementor-widget-loop-grid\" data-id=\"185bc01c\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;template_id&quot;:&quot;417&quot;,&quot;columns&quot;:1,&quot;_skin&quot;:&quot;post&quot;,&quot;columns_tablet&quot;:&quot;2&quot;,&quot;columns_mobile&quot;:&quot;1&quot;,&quot;edit_handle_selector&quot;:&quot;[data-elementor-type=\\&quot;loop-item\\&quot;]&quot;,&quot;row_gap&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;row_gap_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;row_gap_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]}}\" data-widget_type=\"loop-grid.post\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-loop-container elementor-grid\">\n\t\t<style id=\"loop-417\">.elementor-417 .elementor-element.elementor-element-8bd6b09{--display:flex;--flex-direction:row;--container-widget-width:calc( ( 1 - var( --container-widget-flex-grow ) ) * 100% );--container-widget-height:100%;--container-widget-flex-grow:1;--container-widget-align-self:stretch;--flex-wrap-mobile:wrap;--align-items:center;--margin-top:0px;--margin-bottom:30px;--margin-left:0px;--margin-right:0px;}.elementor-417 .elementor-element.elementor-element-216708d{--display:flex;--justify-content:center;--align-items:center;--container-widget-width:calc( ( 1 - var( --container-widget-flex-grow ) ) * 100% );--gap:0px 0px;--row-gap:0px;--column-gap:0px;}.elementor-417 .elementor-element.elementor-element-9b68b46 img{border-radius:500px 500px 500px 500px;}.elementor-417 .elementor-element.elementor-element-9b68b46 > .elementor-widget-container{margin:0px 0px 0px 0px;padding:0px 0px 0px 0px;}.elementor-417 .elementor-element.elementor-element-28b2552{--display:flex;--gap:0px 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10px;--row-gap:10px;--column-gap:10px;--padding-top:0px;--padding-bottom:0px;--padding-left:0px;--padding-right:0px;}.elementor-417 .elementor-element.elementor-element-6f0b7fac{--display:flex;}.elementor-417 .elementor-element.elementor-element-45b9685c{columns:1;text-align:start;}@media(min-width:768px){.elementor-417 .elementor-element.elementor-element-216708d{--width:21.875em;}.elementor-417 .elementor-element.elementor-element-6f0b7fac{--content-width:1000px;}}<\/style>\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"417\" class=\"elementor elementor-417 e-loop-item e-loop-item-8064 post-8064 artiste type-artiste status-publish has-post-thumbnail hentry\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-8bd6b09 e-flex e-con-boxed e-con e-parent\" data-id=\"8bd6b09\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-216708d e-con-full e-flex e-con e-child\" data-id=\"216708d\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9b68b46 photo elementor-widget elementor-widget-theme-post-featured-image elementor-widget-image\" data-id=\"9b68b46\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-featured-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/stg.topo.art\/en\/artiste\/mel-izanami\/\">\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/stg.topo.art\/app\/uploads\/elementor\/thumbs\/Mel_Izanami--r63iuuk67o46es3eu4euo7fkn0dg31pc5u8c8s1lws.jpg\" title=\"Mel_Izanami-\" alt=\"Portrait de l&#039;artiste Mel Izanami\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-28b2552 e-con-full credit-photo e-flex e-con e-child\" data-id=\"28b2552\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;position&quot;:&quot;absolute&quot;}\">\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-f5159dd e-flex e-con-boxed e-con e-child\" data-id=\"f5159dd\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-21af79c elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"21af79c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Mel Izanami<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-88c3b2b liens-artistes elementor-widget elementor-widget-shortcode\" data-id=\"88c3b2b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"shortcode.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-shortcode\"><a target=\"_blank\" href=\"https:\/\/portalesapasadosporvenir.com\/\">Portales a pasados por venir<\/a><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-6f0b7fac e-flex e-con-boxed e-con e-parent\" data-id=\"6f0b7fac\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-45b9685c elementor-widget elementor-widget-text-editor\" data-id=\"45b9685c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\tMel Izanami est n\u00e9 et a grandi au Mexique, o\u00f9 il a pris conscience des contradictions profondes de son identit\u00e9 &#8211; contradictions qui, au fil du temps, ont fa\u00e7onn\u00e9 non seulement son d\u00e9veloppement acad\u00e9mique, mais aussi son exp\u00e9rience en tant qu&rsquo;immigr\u00e9e en Argentine. Ces exp\u00e9riences ont influenc\u00e9 sa r\u00e9flexion et sa qu\u00eate permanente pour repenser les structures que nous consid\u00e9rons comme acquises en tant que Mexicains, Latino-Am\u00e9ricains ou habitants d&rsquo;un continent colonis\u00e9. Mel Izanami r\u00e9side actuellement entre l&rsquo;Argentine et le Mexique, o\u00f9 il cr\u00e9e et collabore \u00e0 des projets audiovisuels multidisciplinaires. Son travail explore les th\u00e8mes li\u00e9s \u00e0 la m\u00e9moire, \u00e0 la technologie et \u00e0 la d\u00e9colonisation.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d2e7775 e-flex e-con-boxed e-con e-parent\" data-id=\"d2e7775\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"featured_media":8091,"template":"","meta":{"_acf_changed":false},"tags":[],"cat-prog":[32,29],"class_list":["post-8085","programmation","type-programmation","status-publish","has-post-thumbnail","hentry","cat-prog-topo","cat-prog-activite"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Portales a Pasados por Venir  | Mel Izanami &#8226; TOPO - Centre de cr\u00e9ation num\u00e9rique<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Portales a Pasados por Venir  | Mel Izanami &#8226; TOPO - Centre de cr\u00e9ation num\u00e9rique\" \/>\n<meta property=\"og:description\" content=\"Dans le cadre de sa r\u00e9sidence au Laboratoire d\u2019art et de recherche d\u00e9coloniaux de l\u2019UQ\u00c0M (LabARD), Mel Izanami poursuit le d\u00e9veloppement de son projet Portales a Pasados por Venir : une exploration de l&rsquo;uchronie dans la science-fiction en tant qu&rsquo;outil sp\u00e9culatif pour remettre en question les r\u00e9cits h\u00e9g\u00e9moniques de l&rsquo;histoire culturelle occidentale. 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